![]() But what must every perspective accomplish? Let’s discuss! The key to crafting a multi-POV story well is to ensure that all perspectives are unique and irreplaceable and that they work together to create a cohesive story. If I removed this character’s perspective, would the story remain relatively the same? How does this character’s perspective feed into the main storyline? Is there another point-of-view character who could just as easily tell this portion of the story? What does this character’s perspective lend to my story that others’ do not? ![]() And beyond - the options are truly endless!Įvery story will be a little different, but a great way to decide if utilizing multiple perspectives is right for your story - or to decide if a certain character should have the perspective over another - is to ask yourself the following questions: There are also historical sagas that feature multiple generations of characters whose stories are set in different timelines. ![]() ![]() Others still feature ensemble casts where every character receives a slice of the pie - and sometimes some of those slices are bigger than the others. Some stories feature dual points-of-view from the perspectives of two protagonists, while other dual point-of-view stories lend the second perspective to a sidekick or antagonist. With that said, do you understand the mechanics of writing in multiple points-of-view?įirstly, let it be stated that there is no right way to write a multi-POV story. As with any storytelling element, working with intention is the surest way to nail the effect you’d like to create. Writing a story from multiple perspectives isn’t a technique that should be handled without care, even if this structure does feel the most natural to you. I’ve received quite a few requests for tips on this topic in recent months, and being as I’ve dabbled in writing stories with multiple points-of-view myself, I decided it was high time to translate my experience into a few key tips to share with you all today. But utilizing multiple points-of-view isn’t the simplest technique to master. This style of storytelling has gained quite a bit of popularity in recent decades thanks to the rise of film and television, which often structures its stories to showcase many characters’ perspectives. As long as you can hold yourself accountable to your dreams, you'll do fine whether you jump from project to project or whether you hone in on one.Writing fiction from the perspectives of multiple characters can be a lot of fun. You know what you're capable of and what you hope to achieve. The trick is balancing those two pieces of advice. Don't give up on a script just because you're frustrated or bored or whatever if you do that, you're unlikely to ever finish a story. But to make that idea into a complete story takes real thought, work, and dedication. Sure, the ideation phase of a project happens like a lightning bolt. If you want to make progress on your work, then work at it. don't just sit at a blank screen out of some feeling of obligation to your own idea. You know your process better than anyone else. Maybe you need to take a break and come at it from a fresh perspective. Maybe you explored all you need to explore. Just because you started an idea doesn't mean you have to finish it now, or even that you have to finish it at all. No Sale of Copyrighted Material or Sharing of Confidential Materialĭon't let a script hold you hostage. Posts Made by ( u/deleted) Accounts are Subject to Removal Observe Dedicated Weekly Threads for Loglines, Memes, Etc Provide Descriptive/Informative Titles for Posts Screenplays MUST be properly formatted/Do not post your film without the screenplay. No Contest, Coverage or Service AdvertisingĬomplaints About Paid Feedback Must Include Script and Evaluations No Socks, Trolls or Shitposting, Spam or Off-Topic Postsĭon't post personal blogs, personal websites, or unapproved self-promotion. WIKI: FAQS & FORMATTING INFO AND RESOURCESĭo not personally attack fellow redditors respect privacy, be encouraging, use your manners.
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